Ben Crenshaw, right, and Bill Coore look over the restoration of Pinehurst No. 2 early in the process. Photo by John Gessner
“Being a Scot, Ross interpreted the word ‘rough’ to mean ‘broken ground.’” – Charles Price
By Lee Pace
If there was one underlying guidepost that Bill Coore and Ben Crenshaw used in their 2010-12 restoration of Pinehurst No. 2, it’s this passage from author and historian Charles Price that appeared in GOLF Magazine in 1979. Crenshaw, an avid student of golf history, knew that Price had lived in Pinehurst at two separate times in his life and also had lived in St. Andrews, thus Price’s opinions carried plenty of weight on the subjects of architect Donald Ross and traditional golf design.
“Being a Scot, Ross interpreted the word ‘rough’ to mean ‘broken ground,’” Price wrote. “In other words, it was never tended in any other way. The ‘fairway’ meant the same to him as the word does to a ship’s pilot, a navigable channel through rocks, sand banks and other obstructions that is the safest way for a vessel to leave or enter a harbor—to leave the tee and enter the green. Consequently, he didn’t create rough to border a fairway. He ‘dredged’ a channel—a fairway—through the rough and left it as he found it.”
Crenshaw harkened back to those words one recent evening in Pinehurst when he and USGA Executive Director Mike Davis joined Pinehurst officials to inspect the golf course and tweak their preparation and maintenance plans just seven months away from the 2014 U.S. Open and U.S. Women’s Open.
“One sentence kept going over in my mind, something Charlie Price wrote a long time ago,” Crenshaw said. “Fairways were meant to be an oasis encased in sand, pine straw, pine needles and wire grass. That statement never left our mind.”
Pinehurst No. 2 The 13th Hole – Then and Now
First approached in the summer of 2009 with the idea to restore the course to its original width and character native to the Sandhills of North Carolina, Crenshaw admits that he and his design partner of some three decades tiptoed into the project with some reservations.
“We always thought the course was there, that the bones were intact,” Crenshaw said, referencing No. 2’s evolved look into a svelte presentation of smooth, grassy playing surface. “But we thought it could be depicted in a different manner. We said, ‘We need to tackle this, we need to give it a shot.’
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